[SPOTLIGHT] THE PANOPTIC PRESS
DIS/MEMBER spotlights Rochester independent publisher The Panoptic Press, editor-in-chief Steven Arenius, and dark gems from...
Zine
[RETROSPECTIVE HORRORS] REVISITING THE DUNWICH HORROR
With the increased prevalence of Lovecraftian films, the author revisits his introduction to cosmic terrors and returns to The Dunwich…
[LIST] “I HATE TO LOVE YOU” – 10 HORROR MOVIE VILLAINS WE LOVE
Let’s take a look at the 10 horror movie villains we hate to love, and we will end up rooting…
[FEATURED] DEFYING THE GENRE: BLACK CHARACTERS WHO REFUSED TO DIE IN HORROR FILMS
The ugly, racist truth of horror films is that most Black characters die. But not all. Some defy a bigoted…
[ZINE] MONSTROUS FEMALE FEAR : THE POWER OF SADY BOYLE’S ‘DEAD BLONDES’ AND DAVID CRONENBERG’S ‘RABID’
While the roots of many of the fearful creatures Sady Doyle describes in her book are ancient, the stories of…
[ZINE] THE IDENTITY CRISES OF THE WOMEN WITHIN KARYN KUSAMA’S ‘THE INVITATION’
The Invitation is nearly perfect to me, but it has always left me craving more in terms of its treatment…
[ZINE] RIOT GRRRL HORROR: THE SOSKA SISTERS STAND UP TO THE SYSTEM
What’s grotesque on the inside usually comes out (or off) in a Twisted Twins flick such as Rabid.. That's because…
[ZINE] “IT TAKES A MAN TO DO SOMETHING LIKE THAT”: THE WOMEN OF SCREAM
Michael Walls-Kelly highlights a couple from each entry that shows how Scream treats women as more than just screeching victims.
[ZINE] MAN-EATERS: THE MONSTROUS WOMEN OF HORROR
When thinking about women in horror, the focus is on final girls or female victims. What about the iconic female…
[ZINE] SHOW ME YOUR TEETH: HOW KAREN WALTON SAVED THE WEREWOLF MOVIE FOR WOMEN
Ginger Snaps turns twenty this year. Let's celebrate the cult favorite that broke all the male-centered rules of 80s and…