[REVIEW] THE HOUSE THAT JACK BUILT IS A DAMN FINE ONE
The House That Jack Built an entertaining and intriguing story. One that does a great deal of character development with a gripping narrative to build a stable home.
[NETFLIX REVIEW] ‘FEAR STREET: PART 3 – 1666’ IS A GNARLY PERIOD PIECE FINALE
Netlfix’s Fear Street Trilogy comes to a thunderously entertaining, theatrical end in Fear Street: Part 3 – 1666.
[ADVANCE REVIEW] ‘MAD GOD’ IS UNLIKE ANYTHING YOU HAVE EVER SEEN BEFORE
Mad God Starring: Alex Cox, Niketa Roman, Satish Ratakonda, Harper Taylor, and Brynn Taylor Written & Directed by: Phil Tippett Special Effects master
[REVIEW] ‘THE SPINE OF NIGHT’ IS A BRUTALLY ENTERTAINING ANIMATED EPIC
The heir apparent to films like Wizards and Fire & Ice emerges in the thunderously entertaining The Spine of Night.
[REVIEW] HULU’S ‘FRESH’ IS A RAZOR SHARP AND PITCH BLACK HORROR-COMEDY
Fresh Starring: Daisy Edgar-Jones, Sebastian Stan, Jojo T. Gibbs, Andrea Bang, Dayo Okeniyi, and Charlotte Le Bon Written by: Lauryn Kahn Directed by: Mimi
[LISTS] SHOCKTOBERFEST 2021 – HENENLOTTER WEEK!
This week’s edition explores a link between contemporary filmmaker James Wan and Frank Henenlotter and the golden age of exploitation.
[NIGHTSTREAM] ‘KING CAR’ IS A BUCK-ASS WILD RIDE (LASER FOCUSED ON SOCIAL JUSTICE)
King Car Starring: Luciano Pedro Jr., Jules Elting, Matheus Nachtergaele, and Clara Pinheiro Written by: Sergio Oliveira, Leo Pyrata, and Renata Pinheiro Directed by:
[REVIEW] ILANA GLAZER’S ‘FALSE POSITIVE’ IS TOPICAL BUT TRY-HARD
Director: John Lee Writer: Ilana Glazer and John Lee (screenplay); Ilana Glazer, John Lee, and Alissa Nutting (story) Starring: Ilana Glazer, Justin Theroux,
[FANTASIA FILM FESTIVAL] “THE SADNESS” IS A GORY, FULFILLING MONSTROUS MASTERPIECE
The Sadness is an extreme horror zombie movie that’s fast-paced, horrific, and bonkers and fuck, and as lovers of horror, that’s just how we like it.
[FANTASIA INTERNATIONAL FILM FESTIVIAL] ‘WONDERFUL PARADISE’ IS A SCREAMINGLY FUNNY SURREALIST ROMP
Masashi Yamamoto’s latest is a tersely hilarious domestic comedy of errors. Right up until the moment it isn’t.