[REVIEW] ‘THE SPINE OF NIGHT’ IS A BRUTALLY ENTERTAINING ANIMATED EPIC
The heir apparent to films like Wizards and Fire & Ice emerges in the thunderously entertaining The Spine of Night.
[REVIEW] HULU’S ‘FRESH’ IS A RAZOR SHARP AND PITCH BLACK HORROR-COMEDY
Fresh Starring: Daisy Edgar-Jones, Sebastian Stan, Jojo T. Gibbs, Andrea Bang, Dayo Okeniyi, and Charlotte Le Bon Written by: Lauryn Kahn Directed by: Mimi
[LISTS] SHOCKTOBERFEST 2021 – HENENLOTTER WEEK!
This week’s edition explores a link between contemporary filmmaker James Wan and Frank Henenlotter and the golden age of exploitation.
[REVIEW] ILANA GLAZER’S ‘FALSE POSITIVE’ IS TOPICAL BUT TRY-HARD
Director: John Lee Writer: Ilana Glazer and John Lee (screenplay); Ilana Glazer, John Lee, and Alissa Nutting (story) Starring: Ilana Glazer, Justin Theroux,
[FANTASIA FILM FESTIVAL] “THE SADNESS” IS A GORY, FULFILLING MONSTROUS MASTERPIECE
The Sadness is an extreme horror zombie movie that’s fast-paced, horrific, and bonkers and fuck, and as lovers of horror, that’s just how we like it.
[FANTASIA INTERNATIONAL FILM FESTIVIAL] ‘WONDERFUL PARADISE’ IS A SCREAMINGLY FUNNY SURREALIST ROMP
Masashi Yamamoto’s latest is a tersely hilarious domestic comedy of errors. Right up until the moment it isn’t.
[REVIEW] ‘THE GREEN KNIGHT’ PROVIDES SIR GARWIN WITH AN INTERESTING JOURNEY
“Tell me a tale of yourself, so that I might know thee.” Starring: Dev Patel, Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris,
[SHUDDER REVIEW] SHUDDER’S ‘JAKOB’S WIFE’ STANDS AS A GHOULISHLY FUN SHOWCASE FOR A HORROR ICON
This Shudder Exclusive is an impressive, shockingly emotional, and surprisingly bloody showcase of genre icons.
[NETFLIX REVIEW] ‘FEAR STREET PART 2: 1978’ IS A CONFIDENTLY FUN FOLLOW-UP
Fear Street Part 2: 1978 Starring: Sadie Sink, Emily Rudd, McCabe Slye, Ryan Simpkins, Gillian Jacobs, Olivia Scott Welch, and Kiana Madeira. Story
[REVIEW] ‘FEAR STREET PART 1: 1994’ IS A ROLLICKING FRANCHISE STARTER (WITH ONE GLARING MISSTEP)
Netflix’s newest horror franchise gets off to a good start, despite one very poor sequence, in this adaptation of R.L. Stine’s seminal series.