[BROOKLYN HORROR FILM FEST] ‘SATOR’ SUMMONS BARE-BONES SCARES
Sator uses stripped-back, bare-bones horror elements very effectively and builds a deep world and story that keeps you guessing.
[BROOKLYN HORROR FILM FESTIVAL] ‘NIGHTMARE RADIO’ IS MOSTLY STATIC WITH MOMENTS OF CLARITY
Although it has a few bright spots, Nightmare Radio suffers from an over-saturated market paired with stories that don't quite…
[BROOKLYN HORROR FILM FESTIVAL] THERE’S NO PLACE LIKE HOME IN ‘ROCK, PAPER, AND SCISSORS’
Rock, Paper, and Scissors uses its limited cast and space and turns around and creates unlimited potential that merits repeated…
[BROOKLYN HORROR FILM FESTIVAL] ‘THIS IS OUR HOME’ IS AN IMPRESSIVELY HUMANE INDIE NIGHTMARE
Falling somewhere between personal indie drama and crazy-pants modern shocker, This is Our Home somehow nails being both as our…
[ZINE] HOW BATTLE ROYALE HELPED ME GROW
Justin gives us a personal essay about what Battle Royale means to him.
[ZINE] THE HALLOWEEN SERIES, RANKED
It’s almost Halloween, and if you’re anything like me that can mean only one thing: it’s almost time to watch…
[ZINE] A STUDENT SURVIVAL GUIDE. LITERALLY.
This guide -- A Student's Survival Guide. Literally. -- contains anecdotal evidence to help you better navigate those situations the…
[ZINE] SHORT STORY: 11:38 P.M.
The blow to his lower back made it feel like his body was about to...
[ZINE] THE FIRST PURGE RULES: WHY DUMBASS CONSERVATIVES GOT THE WRONG MOVIE CANCELLED
The Hunt, a movie made by Blumhouse Productions and distributed by Universal Pictures, stopped production. How did The First Purge…
[ZINE] HOW SCREAM BROUGHT HORROR BACK FROM THE BRINK
Let’s be honest. We are in what could be considered a golden age for horror....