[CINEPOCALYPSE] ‘VILLAINS’ REVELS IN THE CREEPINESS WITHOUT OVERDOING IT WITH BLOOD AND GORE
Part of what works is that you could see both of these couples existing in the real world. And that…
Film
[CINEPOCALYPSE] ‘THE MUTE’ AND ‘THE LAST TO SEE THEM’ ARE DELIBERATELY PACED, STYLIZED AND WORTH WATCHING
Bartosz Konopka's 'The Mute' and Sara Summa's 'The Last to See Them' aren't just standard genre films, they're proof of…
[CINEPOCALYPSE 2019] ‘CULTURE SHOCK’ SHOWS THE AMERICAN DREAM GONE WRONG
Culture Shock starts with introducing us to a young woman who is trying to make her way across the border…
[CINEPOCALYPSE] SHORTS BLOCK 1: SHADOWS WITHIN – PART 2
In "Shadows Within" Cinepocalypse showcases a series of short and surreal psychological horror films from a variety of talented directors.
[CINEPOCALYPSE] SHORTS BLOCK 1: SHADOWS WITHIN PART 1
In "Shadows Within" Cinepocalypse showcases a series of short and surreal psychological horror films from a variety of talented directors.
[CINEPOCALYPSE] ‘PUNTO MUERTO’ IS A CLASSIC-COOL NOIR MURDER MYSTERY
Director Daniel de la Vega's 'Punto Muerto' (Dead End) is a black-and-white murder mystery that brings together literary endeavors and…
[CINEPOCALYPSE] ‘GHOST KILLERS VS. BLOODY MARY’ IS JUST AS FUN AS IT SOUNDS
From the fantastic cast to the fun jump scenes to the humorous writing, 'Ghost Killers VS. Bloody Mary' is comedy…
[CINEPOCALYPSE] ‘BELZEBUTH’ IS A NOVEL EXORCISM TALE
In Belzebuth, director Emilio Portes delivers a compelling story about an ancient demon, the Vatican, and a father grieving the…