[HOW TO BE GENRE TRASH PRESENTS] WHY ‘BLACK CHRISTMAS’ MATTERS
Justin and Insha have a pretty dope talk about Black Christmas. They talk the three films, why the ladies are…
[REVIEW] ‘INTO THE DARK: SEASON 2′: BACK INTO SOME GOOD OL’ HOLIDAY HORROR
Into the Dark offers a mix bag of movies using a concept where each month, there is a new horror…
[REVIEW] EXPLORING MADNESS, ISOLATION, AND MYTHOS IN ‘THE LIGHTHOUSE’
In his sophomore film, Robert Eggers (The Witch) returns for a distinctly darker, haunting tale of loneliness and the madness…
[REVIEW] ‘RED LETTER DAY’ WAS “UNDELIVERABLE”
RED LETTER DAY is a dysfunctional film that provides an apt metaphor for the dysfunctional world it mirrors.
[REVIEW] ‘MARLA MAE’ (2018) AND THE NIGHTMARE OF WOMEN’S HEALTHCARE
The combination of good characters, a solid story, excellent special effects, and an overall appearance makes MARLA MAE worth checking…
[REVIEW] ‘NIGHTMARE CINEMA’ LIVES UP TO THE TITLE … BUT NOT IN A GOOD WAY
NIGHTMARE CINEMA Starring: Eric Nelsen, Sarah Withers, Kevin Fonteyne, Chris Warren | Richard Chamberlain, Zarah...
[RETROSPECTIVE] ‘INCIDENT IN A GHOSTLAND’ BRINGS FRENCH EXTREMITY INTO THE NEW WORLD
Incident in a Ghostland continues beyond where Martyrs ended. Incident in a Ghostland reinterprets horror movie tropes, defying their conventional…
[SHUDDER] ‘GWEN’: THE HILLS ARE ALIVE WITH THE FORCES OF EVIL
This period-piece, feature debut by Director William McGregor plays out more like a gothic horror novella than a modern scary…
[BROOKLYN HORROR FILM FEST] ‘SATOR’ SUMMONS BARE-BONES SCARES
Sator uses stripped-back, bare-bones horror elements very effectively and builds a deep world and story that keeps you guessing.